不受限於傳統書法、篆刻法度與流派約束，用輕鬆從容的態度重新看待，以盡情書寫放任刻印的創作思維，來面對這層層包裹的傳統「書」、「印」，並透過蘇東坡念奴嬌名句「亂石崩雲」為主軸，帶入現代藝術概念，參入裝置拼湊、數位輸出，轉化平面為立體，藉由光影投射、展場作品佈置的錯落組合，延伸變化視覺效果。本展中，李明啓以一個從事水墨創作者的角度來闡述演繹書法與篆刻在傳統與現代之間如何開拓發展，而兩者在水墨的激盪結合之下又能有何種可能的：書、印別相。Freefromtheconstraintsandrulesfromanyschooloftraditionalcalligraphyandsealengraving,LeeengageshimselfintheartisticcreationofthesetwotraditionalChineseartswithgreateaseandcomfort.Inthisexhibitiontitled,“CrashingRocksandClouds”,whichisafamousquotationfromtheOdeofRedCliffbySuDong-po,theconceptofmodernartisincorporatedwhilethemechanismsofinstallationartanddigitaloutputarealsoappliedtoenable3DpresentationofLee’sworksaswellasdiversifiedvisualeffectsthroughthelightprojectionandexhibitarrangement.Inthisexhibition,viewerscanseehowLee,asaninkpaintingartist,exploresthepossibilitiesofcalligraphyandsealengraving,bothtraditionalandmodern,andhowtheinclusionofinkpaintingintocalligraphyandsealengravingcangivebirthtoadiversifiedvarietyoffacetsforthesetwotraditionalChineseartforms.
